Within the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. His carriage is effortlessly straight-backed, his arms defined beneath a simple white T-shirt. On stage, dancers can seem like powerful deities, yet frequently in person they are petite. This is not true for Ball, whose tall stature is one reason for his demand for heroic roles and partnering. With delicate traits and intense eyes, there's a hint of Robert Pattinson about him.
An Apparent Ascent to the Top
Now 31, Ball is enjoying the crest of a career that has advanced seamlessly. Growing up in Liverpool, he encountered little ridicule for his childhood passion in ballet. Joining the Royal Ballet School at 11, he moved straight into the troupe and was promoted each year, reaching the top rank of lead dancer in 2018. He has loved tackling substantial dramatic roles, particularly the emotional turmoil found in a famed choreographer's ballets.
"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."
Ball's upcoming starring role is as himself, in an "Evening With" event designed to offer behind-the-scenes perspectives into a dancer's craft. He will walk the crowd through a role, showing his mental workflow during performance. Yet in lighter ballets, the test is profound. "A classic ballet is one of the most demanding technically," he states.
The Psychological Game and Post-Performance Feelings
What about after a show, when he has pulled it off? "It's pretty good," he admits. "But because I'm trying to squeeze all the emotion out of it, and get immersed in the role, quite often I do feel self-conscious later. After Mayerling I'm always thinking: God, what must people think?"
In person, Ball is thoughtful, mild-mannered, and prone to laugh at himself. Yet a choreographer previously observed on a "sense of suffering in him." Does this exist? "I am very active usually, but I do have a melancholy streak," he confesses. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an instigator for positive change."
Formative Drivers and Creative Inspirations
His determination originated in early setbacks. Not excelling in contests at school made him "vengeful!" This became motivation to prove he could succeed. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.
The next endeavor is creating his own dance works. For Ball, "there's nothing wrong with." "Challenging the conventions is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing ideas from books, compositions, and art.
Close-Up Dance and Personal Partnership
He also is interested in staging dance in smaller venues. "It was just really thrilling," he says of a previous show. "You’re so close to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"
Ball has made pieces with his girlfriend, fellow principal Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." They aren’t usually matched on stage at their main theater, which might be healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s biggest supporter."
Regarding Instagram and Physical Perception
On social media, followers can see clips from his dance films and photos that showcase a sculpted physique. Does he mind that the response can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—something that can be seen on various levels.
Ball describes his early self as "desperate for success." Has it lived up to his hopes? "I am conscious of how reality is a different thing to the aspirations you had as a child," he reflects. He likely has about decade of dancing ahead. "I guess in the time to come, I want to be a bit more kind with myself."