This Floating Excrement Was Far Too Meaningful! These Are the TV Disappointments of the Past Year.

Looking back, we consider the TV offerings of the past year, a selection of shows emerge not for their excellence, but for their notable shortcomings. From cringe-inducing sequels to confusingly bad documentaries, here are the productions that left us utterly bewildered or just reaching for the remote.

And Just Like That

How to start with this love/hate spin-off? Burdened with dreadful scripts, painful character development (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series fought to justify its existence. Briefly, as the third series began, it looked like it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. Little surprise the creator announced this would be the last season. It ended on a low point; the lingering shot of Miranda’s loo full of poo was simply too symbolic. Still, viewers undeniably had a hoot dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t let out a little sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the smallest of this drama's problems. The recipient of a very rare zero star review, it was hard to know where to begin listing the problems. The laughably leaden dialogue? The mind-numbing glorification of wealth and consumption? The almost deliberate procession of cliches? Performances so bad they felt borderline spiteful? Let’s just say “each and every one” and never speak of this show again. However, a new season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Given the restraining orders, domestic violence allegations and fatherly shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this multi-part docuseries which smirked its way at Sheen’s various bouts of reckless hedonism while struggling to tell us a single thing we didn’t already know. Rather, it felt as if this loose cannon was being indulged, so any pity this show might induce should be reserved for the people who have had to endure proximity with this charismatic but flippant narcissist.

The Iris Affair

Of course we understood it was preposterous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

MobLand

Dodgy figures meeting in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many seem a bit dated now, but at least they didn’t suffer the ignominy of having to indulge unconvincing dialects. But there were plenty of other issues. Primarily that it was just profoundly dull; a conflict over narcotics territory between various London rogues which seemed rather simplistic.

With Love, Meghan

Given the degree to which she provokes the ire of certain ostentatiously enraged commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various ventures into twee lifestyle as deliberate statements. But then you watch them and are forced to admit that in this case, they might have a point. It’s like watching a homeware magazine come to life; a meme for evening drinks with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental sayings and pointless crafting “tips” you’ll not remember instantly. All supported by immense, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about both Victoria Beckham and her journey with vocation, identity, self-acceptance. But for whatever reason, this three-part series opted not to say them. Rather, the viewing was like consuming a marketing brochure. She obviously has every right to bridle at what she describes as her “stern” image. But sadly, she failed to do herself any helps with this cagey non-event of a series.

The Game Show

It should have been the next big hit – except even more extravagant, with a famous star playing dead and a sharp-tongued personality overseeing her inheritance. What more could you want? As players competed, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s even now too complicated to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The series ended up smelling of a programme that was straining desperately to emulate something way beyond it.

Too Much

How do you succeed a show that defined a generation? The expectation was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The star seized the opportunity by the horns and was a delight to watch, reveling in Jane Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was not enough. Plus, the sheer amount of famous cameos involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the shrewd recruitment of talented younger comics, hopes were high. But sadly, most of it didn’t land. A particular sketch was a one-note joke stretched to a dry pulp but repeated in every episode. One star seemed too ready to slip into a familiar irate mode. The behind-the-scenes sketches, in contrast, simply inspired the idea that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be handled with care. Instead, the series struggled painfully to find the right tone, lurching from oddly jaunty, somewhat stylised farce to inevitably, real-life horror. Complex? Perhaps. A total mess? Absolutely.

Prime Target

We love the lead actor … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the brink of a breakthrough that could destabilise society? No! This globe-trotting thriller about government agencies spying on – and eliminating – intellectuals frankly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator notorious for sexual exploits as she prepared for her biggest challenge yet. What on earth would possess her? What we wanted was far greater interrogation of her true psychology, plus those of the men in the queue. They could at least have spoken to the legendary mum who showed up to drag her son out of the queue. What we got was horrific imagery and zero critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Ryan Roy
Ryan Roy

Marcus is a gaming analyst with over a decade of experience covering the UK iGaming market and regulatory developments.

September 2026 Blog Roll